Recently I’ve found myself driving like my seventy-four year old mom. I’ve been double and triple checking before making left turns. I’ve gone a mile out of my way just to avoid a dangerous intersection. I’ve also been chewing my food slowly so I don’t choke and taking a multi-vitamin. I’ve been determined to do the best job I can of keeping myself alive.
I didn’t connect these heightened safety precautions to my current project until I came to the conclusion section of the book I am writing. My hands began shaking as I typed the closing thoughts that I’d been waiting … living … and making cautious left turns in order to finish. And although I knew my editor would probably remove these final and unnecessary words, I typed, “The End,” in fancy font at the close of my 63,714-word manuscript. And then I cried. I cried because I lived to tell the story.
This particular book was not the easiest to book write, not that any books are—a fact I failed to appreciate until I actually wrote one. This book called for my deepest truths and my most painful reflections. But even more, it called for me to trust that the words would come in due time, not in Rachel’s time. Knowing the deadline for submitting this manuscript to my publisher would sneak up on me as far-off events often do, I tried writing this book last fall. I wrote lots of notes. I wrote lots of ideas. I wrote chapters that I ended up trashing. It was not time. I tried writing this book again in the spring. I took lots of notes. I wrote down lots of ideas. I wrote chapters that I ended up trashing. It was not time. And then summer involved moving boxes, anxious children, tearful goodbyes, and new territories to navigate. I didn’t even try to jot notes or cultivate ideas. I allowed myself to be in “receiving mode” rather than “producing mode.” I decided I would live. I would taste. I would cry. I would walk. I would laugh. I would read. I would say yes to as many Moments That Mattered as I possibly could. I ended up filling lots of little notebooks with experiences that only come from living, real living. And when my family felt settled in our new home, my husband and I went to a Counting Crows concert at a beautiful outdoor venue in our new city. I thought I’d heard every lyric Adam Duritz had ever sang, but on this particular night, he was the master of improvisation. “Round Here” turned into a message my soul had been longing to hear. “Climb out your window,” Adam sang. “Come outside before the world gets any colder, and you and I get too much older. Climb out your window.”